The three-episode Faces of Music limited series will feature in-depth conversations with three major music stars — Chappell Roan, Victoria Monét and Becky G — as they share how they “use beauty to shape their image, amplify their music, and communicate their identity,” per the series description. The show will also explore how these artists created their instantly recognizable beauty looks.

Based on true events, 'Alex: The Life of a Child' follows former 'Sports Illustrated' writer Frank Deford and his wife Carole when their happy, all-American family is rocked to the core when their baby daughter Alex is diagnosed with Cystic Fibrosis. While CF sufferers were almost certainly doomed to an early death in the Seventies, Alex grew into a child who showed remarkable courage and strength in face of her illness. Her loving family were quick to rally around her, determined to show the same bravery as the little girl as they supported and cherished her through life and struggled to move on after her death at the tragically young age of eight.

Charmed by Hollywood's brightest stars, Olivia Bolton agrees to become Ava Von Richter's surrogate. But behind the lies and the dark of Ava and her husband makes her realize that she and her unborn child are in undeniable danger.

A woman tries to prove her husband is having an affair so she can initiate a divorce. She soon finds herself romantically involved with the other woman's husband, unaware that her own husband and his mistress are plotting to kill them.

So there’s this girl who’s basically just a trophy, someone to be seen and not touched. She’s involved with a rich guy, but he’s super aggressive and wants to have sex with her anywhere, anytime. He doesn’t really care about her feelings or boundaries. The next day, after attending a cooking class, she decides to try her flirting skills on the teacher, which is pretty interesting considering her situation with the rich guy. It seems like she’s looking for something more or maybe just trying to have some fun on the side.

The Upsetter tells the fascinating story of Lee “Scratch” Perry, a visionary musician and artist from poor rural Jamaica who journeyed to the big city in the late 1950s with dreams of making it in the burgeoning record industry. Lee Perry burst on the scene with a brand new sound, inventing a genre of music that would come to be called reggae, while mentoring a young Bob Marley and gaining international recognition as a record producer and solo artist. The Upsetter charts 70 years in the life of Lee “Scratch” Perry in his own words through an exclusive interview given to American filmmakers Ethan Higbee and Adam Bhala Lough in Switzerland in 2006. It is equally a documentation of 30 years of Jamaican music and culture as it is a study of one of the most creative and inspiring human beings of all time. The film is narrated by Academy Award winner Benico Del Toro

Jools Holland takes us on a journey of his life that has made him the doyen of the music scene.

Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture A Day in the Life of America. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide range of beliefs and backgrounds into a rich tapestry of life.